Saffy's Angel (Costa Children's Book Award (Awards))

From Publishers Weekly McKay's (The Exiles; Dog Friday) sparkling novel once again introduces an eccentric, entirely engaging British family whose members readers will immediately embrace. The Casson parents, both artists delightfully distracted Eve paints in her backyard shed and comically distant Bill spends weekdays painting in his London studio named their children from a paint color chart: Caddy (for Cadmium), Indigo and Rose. All but Saffron, "so fierce and alone," who learns at the start of the story that she is actually the Italian-born daughter of Eve's twin sister, who died in a car crash when Saffy was three. Eve explains that Grandfather had been visiting Saffy and Saffy's mother in Siena at the time of the accident, and delivered the girl to the Cassons, who adopted her. Now elderly and catatonic after two heart attacks, beloved Grandfather sits in silence when he visits the family, as the children hover around him, endearingly sharing news of their lives. When Grandfather dies, "They felt as if they had lost a battle they might have won if only they had tried a bit harder."The man leaves something to each of the children: Caddy receives his crumbling cottage on a cliff in Wales; Indigo his aged Bentley (which Bill dismisses as an "absolute wreck"); Rose his remaining cash (L144). Attached to the will by a rusty pin is a note scrawled in a shaky hand, "For Saffron. Her angel in the garden. The stone angel." As McKay shapes an intriguing plot around Saffy's angel, the Cassons' capricious capers and understated, droll dialogue will keep readers chuckling. Especially entertaining subplots include: reckless Caddy's driving lessons with her patient instructor (who fabricates a girlfriend to keep his flirtatious student in check), aspiring polar explorer Indigo's sessions sitting on his bedroom windowsill, hoping to cure his vertigo, and Rose's efforts to create works of art using such unlikely materials as "the entire contents of the refrigerator" and the pound coins that constitute her inheritance. An unlikely friendship with Sarah ("the wheelchair girl"), a neighbor, brings out another side of Saffy as the two attempt to find her angel in Siena, and Saffy makes all kinds of discoveries, including her love for the Cassons. The author blends a generous heaping of humor and joy with a dose of pain in a memorable portrait of a vastly human family.The only disappointment for readers may be that McKay's affecting conclusion arrives too soon. They'll close this book hoping for the Casson clan's swift return. Ages 8-12.Copyright 2002 Cahners Business Information, Inc. From School Library Journal Grade 4-6-The Casson family is an endearingly eccentric bunch. Big sister Cadmium, an appallingly bad driver even after hundreds of lessons with an attractive instructor, is studying for her college entrance exams. Saffron, 13, isolates herself from the family after learning that she is actually an adopted cousin whose mother died when Saffy was very young. Indigo works hard to defeat his fears through most unusual means. Rose, the youngest, is an expert at manipulating their pompous father and delightfully ditsy mum, both artists. When their granddad dies, he leaves Saffy a stone angel, which she decides must still be in Italy, her birthplace. With the help of her wheelchair-mobile friend, Sarah Warbeck, who is wickedly adept at managing her parents, Saffy stows away on their family trip to Italy. Although the angel is not there, she learns to appreciate her own family and home. Meanwhile, her siblings set off on a comical car trip to Wales, where the statue is found. Rose provides much of the humor on this trip, with her funny messages to the irritated drivers stuck behind hapless Caddy's car. These charming characters never respond to events in ways one might expect, leading readers to anticipate the whimsical situations. Although humor is predominant, several characters experience significant growth. Delicious phrasing and a wonderfully descriptive style add further to the sense of British eccentricity, reminiscent of Helen Cresswell's "Bagthorpe Saga" (Atheneum; o.p.). This family's story, in which every activity becomes an artistic expression, will surely fly off the shelves.