Avid Reader: A Life by Robert Gottlieb

Avid Reader: A Life

Robert Gottlieb
352 pages
Farrar
Sep 2016
Business & Investing WSBN
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<p><b>A spirited and revealing memoir by the most celebrated editor of his time</b></p><p>After editing <i>The Columbia Review</i>, staging plays at Cambridge, and a stint in the greeting-card department of Macy's, Robert Gottlieb stumbled into a job at Simon and Schuster. By the time he left to run Alfred A. Knopf a dozen years later, he was the editor in chief, having discovered and edited <i>Catch-22 </i>and <i>The American Way of Death</i>, among other bestsellers. At Knopf, Gottlieb edited an astonishing list of authors, including Toni Morrison, John Cheever, Doris Lessing, John le Carré, Michael Crichton, Lauren Bacall, Katharine Graham, Robert Caro, Nora Ephron, and Bill Clinton--not to mention Bruno Bettelheim and Miss Piggy. In <i>Avid Reader</i>, Gottlieb writes with wit and candor about succeeding William Shawn as the editor of <i>The New Yorker</i>, and the challenges and satisfactions of running America's preeminent magazine. Sixty years after joining Simon and Schuster, Gottlieb is still at it--editing, anthologizing, and, to his surprise, writing.</p><p>But this account of a life founded upon reading is about more than the arc of a singular career--one that also includes a lifelong involvement with the world of dance. It's about transcendent friendships and collaborations, &quot;elective affinities&quot; and family, psychoanalysis and Bakelite purses, the alchemical relationship between writer and editor, the glory days of publishing, and--always--the sheer exhilaration of work.</p><p>Photograph of Bob Gottlieb by Jill Krementz</p>
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The man who consumes and is consumed by the written word

Robert Gottlieb has had a very interesting life and career that really was several careers -- book editor, publisher, magazine editor, friend of Lincoln Kirsten as he and Balanchine were forming the NYC Ballet, then working with Edward Villella at the Miami Ballet, and always editing his writers at Knopf through all of it. It's a manic pace in what appears to have been and still is a manic life -- but manic in a good way. When Gottlieb says he is "voracious" in regard to books and that he loved his career and the work -- there isn't an instant in which I doubted the sincerity of those statements. Gottlieb is an excellent writer -- no surprise -- and he knows how to pace and tell an interesting life story. Enough detail about everything -- his parents, his colleagues, his work, the writers he edited, his wives and kids but not so much that you say "enough." He handled the story of his work life exceptionally in that he tells enough about the business of editing and publishing without making it a drag on the story, he speaks of his writers and chooses well the stories that he relates about them and their personalities and their books. He's a collector and he gives a glimpse into his travels with friends -- men or women -- who share his passions and go with him in search of whatever he and they are collecting. This is not a man who likes to be idle. He worked on weekends and was happy to do it and at no point does anything ever seem to interfere with his need "to do" and to do it well. As he stated, if he was going to work on something, he had to read everything about it so that he'd be totally prepared to deal with the subject. It's a book with a central focus -- himself. Too often in an autobiography/memoir the person doing the writing spends too much time talking about their family -- Gottlieb doesn't do that. We know his wife is an actor, we know he has a son and daughter, we don't get details about their schooling or how his travel and all-consuming career affe...

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About this book
Pages 352
Publisher Farrar
Published 2016
Readers 3