<p>It seems like mutual good luck for Abigail Taylor and Dara MacLeod when they meet at St. Andrews University and, despite their differences, become fast friends. Years later they remain an unlikely pair. Abigail, an actress who confidently uses her charms both on- and offstage, believes herself immune to love. Dara, a counselor, is convinced that everyone is inescapably marked by childhood; she throws herself into romantic relationships with frightening intensity. Yet now each seems to have found "true love" - another stroke of luck? - Abigail with her academic boyfriend, Sean, and Dara with a tall, dark violinist named Edward, who literally falls at her feet. But soon after Dara moves into Abigail's downstairs apartment, trouble threatens both relationships, and their friendship.</p><p>For Abigail it comes in the form of an anonymous letter to Sean claiming that she's been unfaithful; for Dara, a reconciliation with her distant father, Cameron, who left the family when Dara was ten, reawakens complicated feelings. Through four ingeniously interlocking narratives - Sean's, Cameron's, Dara's, and Abigail's - we gradually understand how these characters' lives are shaped by both chance and determination. Whatever the source, there is no mistaking the tragedy that strikes the house on Fortune Street.</p><p>"Everyone," claims Abigail, "has a book or a writer who's the key to their life." As this statement reverberates through each of the narratives, Margot Livesey skillfully reveals how luck - good and bad - plays a vital role in our lives, and how the search for truth can prove a dangerous undertaking. Written with her characteristic elegance and wit, The House on Fortune Street offers a surprisingly provocative detective story of the heart.</p>
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Unfortunate people
This is an interesting study in relationships. Starting out from the point of view of one of the male leads, it skips around to tell the same story, more or less, from other points of view. So the major players each get to map out their own versions of events. It's kind of weird at times, because one person's story doesn't necessarily follow the same timeline as another's. But they all converge, particularly around a troubled female lead who lives at the house in the title. When tragedy happens, who is to blame? It is never as simple as it might seem, and this novel deliberately deconstructs a personal tragedy by presenting it through the eyes of the people involved.I thought it was well-written and it held my interest, but there is definitely a feeling of let down at the end. I don't know what I was expecting--certainly not a car chase. But it was probably more realistic than most in that people do just go on in the groove they've set for themselves and simply move past significant events. Some grieve, some grow, and some just move on. Read more
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